Stuart Garlick – Arvamusfestival 2017 https://2017.arvamusfestival.ee/en/ Sat, 12 Aug 2017 19:50:49 +0000 en-US hourly 1 https://wordpress.org/?v=6.5.2 Dog reveals what government must do next https://2017.arvamusfestival.ee/en/dalmatian-james/ https://2017.arvamusfestival.ee/en/dalmatian-james/#respond Sat, 12 Aug 2017 18:10:03 +0000 http://2017.arvamusfestival.ee/en/?p=13755 → ]]> We talk a lot at the Opinion Festival about the need to be inclusive and open, and to allow all views from all sides of the debate. But what about dogs?

Pets represent one area of society that frequently goes unheard. Maybe it’s because we don’t speak their language as well as we should, but they demand to be treated as an equal part of discussions.

We have covered in previous years how the pets of the Opinion Festival turn out in style and often look better-dressed than their owners. This time, the stakes got raised. James, you see, is a dalmatian whose reputation goes before him. His story is the stuff of legend. Having escaped the clutches of Cruella de Vil, along with his 100 siblings, James decided to strike out solo, and emigrated to Estonia, where he is owned by Kelly.

Here, it would appear the debonair canine has become something of a celebrity, having, like all the most famous people, his own social media hashtag, #DalmatianJames . It’s for this reason that the Opinion Festival blog decided to catch up with the dog of the moment, to find out what he had enjoyed most about the Opinion Festival, and what could be improved.

“I’d say it’s all been really well organised,” James told us, “especially the street food. I shouldn’t eat hamburgers – they’re bad for my digestive system in big portions – but I took my chance to try a bit from Hungry Karl, and I wasn’t disappointed. I also took the opportunity to let Jevgeni Ossinovski and Hanno Pevkur know my views on the need for the state to subsidise doggy-treats. Ossinovski said it wasn’t part of the present government programme, but both politicians seemed to understand my point of view, which was good.”

James was equally forthright on his favourite festival stand from the Opinion Festival 2017. “I have to give full marks to the designers of the stand made from sustainable mushrooms (below). It was incredibly well-made, and I love hunting for mushrooms, so it felt like I was running round the forest, while watching a debate take place.”

Festival stand made from mushrooms

At the time of writing, James was barking loudly at the sky, seemingly angry that an act of force majeure had caused his favourite part of the Opinion Festival, the party leaders’ debate, to be delayed and then acted out under a thunderstorm. Storms aren’t his thing, frankly. Still, with the profile he is swiftly building, a position in the cabinet after the next reshuffle looks to be a formality.

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How diverse is Estonia? https://2017.arvamusfestival.ee/en/how-diverse-is-estonia/ https://2017.arvamusfestival.ee/en/how-diverse-is-estonia/#respond Sat, 12 Aug 2017 14:39:54 +0000 http://2017.arvamusfestival.ee/en/?p=13750 → ]]>

A talk taking place at the Opinion Festival on Saturday, ‘Diversity in the Estonian workplace and society: the good, the bad and the ugly’, examined issues of culture, race, identity, and discussed both what foreigners can do to feel more part of Estonian life, and also what Estonia as a whole can do to be as welcoming as possible.

The Opinion Festival throws up annual surprises, but one regular topic is foreigners and their integration into Estonian life. This is perhaps understandable – with the rapid expansion of Estonia-based companies like Transferwise, along with increased international investment in the country, has come a shift in the population demographic. This has not been without friction, as the discussion, in the shadow of Paide’s Holy Cross Church, showed. Nonetheless, there were anecdotes that showed how much has changed for the better for residents of other nationalities.

A lot of the discussion revolved around learning the Estonian language; many adult learners say that they find it difficult to pick up. There was also some talk about whether the problem is that, for the majority of incomers, at least those based in Tallinn, there is a lack of immersion culture – in other words, most Estonians in the capital are happy to speak English, and so it is rare for there to be a definite need for the Tallinn-based foreigner to converse in Estonian. For this reason, the idea of making it compulsory for all foreigners living in Estonia to learn the language was raised. However, although there was some support for the idea, in general the audience, which was quite evenly split between Estonians and foreigners, preferred encouragement of language learning to compulsion.

In general the discussion was calm and measured, but there was more passion shown when an African-American audience member brought up a word often used in the Estonian language to describe a person of colour, which sounds very similar to a term which has become known as very abusive and racist in the UK and US. She said that hearing that word used made her feel uncomfortable.

There was then debate over the perceived historical context of the word in the Estonian language, and whether the requirement to change should be upon the individual who heard the word and was offended, or upon Estonian society not to use the word (there being plenty of other, synonymous, terms that could be used that would not offend anyone). Although no definitive decision was reached, there seemed to be a consensus that increased care over not offending people with any language used would make the world of work more comfortable for many.

A Latin American living in Estonia described how he had, initially, greeted his colleagues in the office each day by shaking their hands, and had regularly hugged people who he knew well, until being told it was not a common thing to do in an Estonian workplace. He explained his personal dilemma, before saying that he decided to “embrace” the fact that he did not look, sound or act “like an Estonian”, and that he was proud of his cultural identity. Two young Russian-Estonian siblings also talked about their positive experiences learning Estonian at a Russian school.

From there, the talk moved onto the ways in which foreigners can get to know Estonian culture. The theatre was cited as a great way to learn the language and to gain a greater cultural understanding; many high-profile productions are subtitled in English, while another idea raised was to hold performances written specially in easy-to-understand Estonian, for adult language-learners. The talk was held in the ‘world cafe’ format, meaning that microphones were passed throughout the audience, and participation ‘in the round’ was encouraged, rather than set speakers taking part in a more conventional forum.

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This Danish man just came up with an awesome idea to bring people together https://2017.arvamusfestival.ee/en/viral-festivals/ https://2017.arvamusfestival.ee/en/viral-festivals/#respond Fri, 11 Aug 2017 18:35:31 +0000 http://2017.arvamusfestival.ee/en/?p=13725 → ]]>

Why have festivals like the Opinion Festival become popular with so many people, what can be done to attract more people to take part in the discourse, and what can the festival do better? There was also a great idea on how to get divided people to talk more freely.

A discussion, ‘The power of democracy festivals’, explored these questions on Friday, with a twist on the conventional format of discussion allowing the panel and audience to split into small groups and discuss various questions in circles.

Visitors from Finland, Denmark, Latvia and Lithuania came to Paide to talk about their experiences of organising or taking part in what are known as ‘democracy festivals’ – events encouraging public participation in discussions on a variety of topics. One of the things mentioned, in the debate moderated by journalist Liis Kängsepp, was that there is no one right way of encouraging good discussion and a closer community. Mads Akselbo Holm, the organiser of Folkemodet in Denmark, came up with perhaps the most intriguing idea in terms of getting people from two sides of a divide to come together.

Holm said it could be as simple as getting two opposing politicians, for example, to cook a meal together. Explaining the idea, he said, “maybe they don’t agree on matters of policy, but they can both agree that they like the country they live in, they can both agree they were born in that country, and maybe they both share a favourite dish.” The tantalising prospect of battling members of government and opposition putting down their briefing notes and picking up spatulas and frying pans is certainly unconventional, but could it work?

Mari Haavisto, organiser of SuomiAreena, the Finnish equivalent of the Opinion Festival, felt it was important that the city of Pori, around three hours’ travel from Helsinki, was the host of the event. It comes in the same space of time as the city’s jazz festival, and the two combine to bring a pleasant party atmosphere to an otherwise relatively quiet area every summer, something that might be lost if SuomiAreena were relocated to the Finnish capital. The Opinion Festival has become synonymous with Paide, and it is also true that Järve county, in which Paide is situated, is proud and happy to host the festival. Something of the close community spirit could be lost if it were held in Tallinn or Tartu, contributors felt.

One commenter added that he felt that the Opinion Festival was at least as much about meeting new people, and getting a new perspective on life, as it was about the open discussion that takes place every year. The principle of inviting and accepting all forms of debate, as long as they do not cause violence, was also mentioned, as part of the spirit of a truly open festival of ideas.

Ukraine will hold its first democracy festival this year, and the concept seems to be going viral all around Europe. What is true in every case is that changes can be made, in the interactivity of the events, and how they reach out to people. That’s part of a journey of constant improvement.

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Opinion Festival panel debates perfect user experience https://2017.arvamusfestival.ee/en/user-experience/ https://2017.arvamusfestival.ee/en/user-experience/#respond Fri, 11 Aug 2017 15:28:05 +0000 http://2017.arvamusfestival.ee/en/?p=13711 → ]]> How to humanise the user experience, and make the functions of software better reflect users’ needs, was the topic being discussed in English at a lunchtime debate during the Opinion Festival on Friday. Each of the panellists came from a technology-related background, although looking at its use and application in differing ways.

Genia Trofimova is the Product and Project Manager for Mooncascade, a software development agency with a number of high-profile clients. A story she told illustrated a company working closely with its client for an optimal user experience. “A customer from Wall Street said he wanted ‘Tinder for Wall Street’ and asked if we could make it, and I said ‘sure’, and all of our team installed Tinder – it was fun. We explored what ‘Tinder for Wall Street’ meant, and then, three months into development and design, we went into very intense user testing. We built this trust, and the client in New York, the team in Seattle, everybody listened to what our team has to say; we want to keep our team happy, and people want to participate and show their talents.”

Ede Schank Tamkivi, from the Eesti 2.0 non-governmental organisation, was moderating the discussion, and began a discussion of good and bad user experiences with an awkward encounter with an Estonian state portal. “I had the experience when registering the birth of my child – I went to rik.ee [an Estonian government website], clicked on the drop-down menu, and the first option displayed was stillbirth, which is not a great thing for a new mother to have to see or think about.”

Jaanus Kase, Head of Product Design at Pipedrive, continued the subject of childcare. “When you have a child, there are about seven or eight different kinds of support you can apply for, depending on whether the child is disabled, or you’re a foster parent, or other things. Your day is full of things not related to filling out these forms, then at night you have maybe ten minutes to fill out the forms, and you get this long list of options.”

“Some kind of easy option would be great, but you get a long list. I would diminish the [list of] options, say if it’s my own child or a foster child, then in Estonia the system can tell where you’re living, so it could give me the options related to my local government. More to the point: why do I even have to do any activity myself? Why can it not be done for me?”

Trofimova responded to an audience question about whether users of apps that change their user interface, and are unhappy about this, are somehow too picky. “It’s still information,” Trofimova said, “and it brings a lot of information about comfort zone, and how far we can go with changes. There is no such thing as too picky – we just need to be picky how we take that information into account.”

Markus Villig, CEO of Taxify, an Estonian-founded driver-requesting app that uses both private drivers and licensed taxi companies, found that his product was mentioned by many panellists and audience members over the course of the 90-minute discussion, primarily because the app has become an integral part of the lives of many people in Estonia and other countries in which it has been rolled-out. While several people said they used Taxify every day, and praised its user experience, others pointed out the recent update that took away the user’s choice of specific taxi operator and car. For Villig, this was an example of making the user experience better in the long term by taking away a choice.

“This is a question we debated internally for one to two years. We have power-users who want to see all the information about a car before they pick it, and they run a sort of internal algorithm to decide which one to take. There’s always a question how much information you include. But people get out of the club, and most people in that situation just want the nearest car, as cheap and as fast in arriving as it can be. Those sorts of people are not usually so interested in picking from a long list of cars.”

“Then we started to look at whether we could fundamentally make the service better. If we can make the pickup shorter, drivers can waste less fuel, waste less time and make more pickups per hour. That’s why when you choose a car, which might be the same kind of car at the same price, but might be two kilometres further away, it creates a waste of fuel and mileage. We need to simplify it so that people cannot make sub-optimal choices. Ultimately this means that the driver earns more, it means the whole platform’s quality goes up, and so on.”

Kase added, “it’s about testing and data. There is no good design that can be isolated from the impact it has on its business. There is a difference between what people say they will do and what they do in reality. A great example of that is in politics – a lot of Americans said they would move to Canada after Trump got elected, but how many have done that?”

“If it looks good but doesn’t produce results, it’s not good design. The other thing to think about regarding whether or not people are too picky is to look at where this discussion is happening. It’s happening online, on platforms like Facebook and Twitter; these are not public services, they are commercial enterprises, pushing us around, actively enticing us to have a discussion there, so they can make more money off us. Most people don’t think about that. The noise surrounding the things versus what actually happens are two different things.”

Villig, like many tech CEOs an admirer of Apple legend Steve Jobs, cited a remark he made. “Steve Jobs was right when he said ‘people don’t know what they really want.’ People make a lot of noise, and it’s important to listen to that, but you won’t see how people really react until the product is actually launched.”

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Opinion Festival entertainment for all tastes https://2017.arvamusfestival.ee/en/entertainment/ https://2017.arvamusfestival.ee/en/entertainment/#respond Fri, 11 Aug 2017 10:18:10 +0000 http://2017.arvamusfestival.ee/en/?p=13679 → ]]> As if to prove that the Opinion Festival isn’t only about deep, serious discussions, there are many ways to have fun with festival entertainment, if you take a few steps from the main action on Vallimägi. One of these is a beach volleyball court, in the middle of host town Paide, a usually sleepy place that is, the last time anyone checked, landlocked.

Check out the Opinion Festival programme for the full list of entertainment throughout the weekend

The vast expanse of sand, which can be found on the edge of Keskväljak (Central Square), is proof that Pärnu might have the Weekend Festival, and mile upon mile of perfect golden sand, and Haapsalu might have its own blues festival along with some of the best spas in Estonia, but Paide has its fair share of fun in the sun.

Foodies’ delight

If you’re, like many people, a hit-and-miss beach volleyball player, Keskväljak and the adjoining section of Tallinna mnt (Tallinn street) offer enough street food to keep you going through a long day of walking and talking. Our early tips are Hungry Karl, who offer excellent-quality hamburgers and goat’s cheese burgers, or, for a lower price, you can get a taste of Sri Lanka, with authentic chicken curry that is being made all weekend by expert cooks from the island.

More fun!

Following the discussions on both days, there is a selection of entertainment to take your pick from. Over in the Wittenstein/Järvamaa museum there is a video disco between 9pm and 2am on Friday, and on Keskväljak, Tallinn’s longest-established hipster hangout Must Puudel is taking over, on Friday and Saturday, with banging tunes and DJ sets, along with captivating live performances. Back on Vallimägi from 10pm to midnight on Friday, Tallinn’s coolest coworking space, LIFT99, hosts one of its regular get-togethers.

Perhaps the standout entertainment events take place in the yard of Vabalinna Maja (Free Town House, literally), the festival club. There, between 10pm and 11pm on Friday, the beloved musical innovator, singer-songwriter Vaiko Eplik, will play some of his most popular songs from down the years.

There’s also a series of must-see installations from lighting artist Jari Matsi, who is bringing innovation and beauty to Tallinna mnt 24, 32, and 34. You can see what he’s done with these lovingly-renovated townhouses between midnight and 2am after the festival concludes for the day on both Friday and Saturday.

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Opinion Festival: why we’re all here https://2017.arvamusfestival.ee/en/why-were-all-here/ https://2017.arvamusfestival.ee/en/why-were-all-here/#respond Thu, 10 Aug 2017 17:41:17 +0000 http://2017.arvamusfestival.ee/en/?p=13660 → ]]> The Opinion Festival is back, with added vigour, fun, and purpose. What is that purpose, though? We’ve got some thoughts – and in the spirit of the event, we’d love to hear yours too.

The festival has been running since 2013, and each iteration has had its standout moments. There is something in the greenery of the heart of Estonia, Paide, for most tastes and mindsets. Even so, sometimes it’s worth taking a step back and asking, ‘what is all this for?’, and why we have this annual gathering.

The genesis of the Opinion Festival was in the events that had been taking place beforehand, on a similar structure, around Northern Europe. It was felt that public debate in Estonia could be bolstered with a festival where discussions, on a variety of pre-agreed topics, could take place in a comfortable environment and an atmosphere of openness.

The festival, at its established home up on Vallimägi in Paide, brings the opportunity to get to the centre of all the discussions affecting everyday life.  Gradually, the debates, forums and talks in the Estonian language were complimented by more and more discussions in English and Russian, showing that the Opinion Festival could include all areas of society within Estonia. While the focus in 2017 is on high-quality conversations, rather than a simple target of being the biggest ever, the breadth of debate still requires visitors to don a pair of quality shoes, and plan carefully where to go and when – or just randomly go from place to place, which can be just as much fun.

People need to know that, though there is political debate, it’s not just about politics. As our earlier blog post illustrates, everything from IT user experience to the pros and cons of veganism will be broached. There are parallels here with music festivals, in that many visitors may come with the aim of hearing one thing, but might go home having derived more enjoyment from surprising sources. It’s never been more important to listen without prejudice, and this is another reason why the Opinion Festival is a necessary part of the Estonian calendar.

There is a strand of discourse, particularly online, that takes the view that not only do actions speak louder than words, but that words no longer matter. Terms such as ‘alt-right’, ‘post-truth’, ‘alternative facts’, and, yes, ‘covfefe’ have elbowed their way into the public eye. The Opinion Festival takes no political standpoint, preferring to let the discussions speak for themselves, but the rapid changes all around us necessitate clarity of thought and of discussion.

We see this when the lies of people in power are spun, or when there is an attempt to move on from promises made by corporations or elected officials. The way to hold people to account is through organised discussion, in an environment where everyone can feel their thoughts are heard and acknowledged. The Opinion Festival offers that, and much more.

Sure, visitors get the chance to (sometimes literally) sit on a picnic blanket next to a Member of the European Parliament and ask about the future of the Single Market, or to quiz the Prime Minister on policy. It’s more than that, though. It’s the best chance of the year to meet people with matching, or contrasting, views to your own.

The Opinion Festival is a social network in the original sense – and you don’t even need a computer to get involved. Half of the fun comes from meeting and talking to new people, both during and also after the debates. You’ll find a discussion topic that interests you from the start – and you’re strongly encouraged to seek them out.

While you do that, it’s also worth looking through the programme for some of the topics you might not have considered checking in on. With talks in Estonia, Russian and English, this festival represents the biggest of tents, and will keep you thinking about any preconceived viewpoints you had on issues, while informing, entertaining and educating on a multitude of subject areas which, who knows, might interest you enough for you to find out more, or get involved, after the festival is over.

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Ask Not What Your Country… https://2017.arvamusfestival.ee/en/foreigners-csr/ https://2017.arvamusfestival.ee/en/foreigners-csr/#respond Sat, 13 Aug 2016 15:46:33 +0000 http://2017.arvamusfestival.ee/en/?p=11889 → ]]> Estonia is in an interesting place at the moment, seen increasingly as a great spot in which to do business, and as such accommodating increasing numbers of international workers. This, and Estonia’s corporate social responsibility agenda, were covered in two entertaining and informative English-language talks at the Opinion Festival.

The growing number of Erasmus courses offered by Estonian universities is also helping to change the complexion of Estonia. How are foreigners finding life in Estonia, and how good are relations with local people? This was one of the questions considered by the talk on Saturday, ‘Do Non-Native Residents Feel Like Hosts or Guests?’, presented by Estonian World and the Estonia 100 Celebration team.

The panel was moderated by Stewart Johnson, an American long-time Tartu resident who is also one of the stalwarts of English stand-up comedy troupe Comedy Estonia. He raised a point which seemed to elicit several different answers from different people, about the supposed need for children born with two passports to choose if they wish to keep their Estonian passport or another one at the age of 18.

Although Johnson, the guests and the audience discussed the constitutional need for a child to choose, the Estonian state is prevented from taking away a passport, which, if taken literally, means that if an 18 year-old makes no decision, he or she keeps both passports. It was an intriguing point, and one that perhaps ought to be clarified now that more and more children are being born to one Estonian and one foreign parent.

Otherwise, the talk was mostly about cultural difference, race, and understanding of others. There was a discussion of what needs to be done to make foreigners feel more welcome in the cities in which they have settled, with Joao Rey, a Portuguese living in Tallinn, making the point that there appear to be far fewer negative incidents related to a person’s race or nationality in the capital than in a city like Tartu, for example.

Although most of the panellists spoke of at least one racist incident, the talk was generally framed in a positive way, with Johnson, a fluent Estonian-speaker who sometimes performs his comedy acts in the language, closing by reassuring the audience that he and the panel understood the need for Estonian language learning in order for a person to contribute fully to society.

Another English-language talk followed, down in the centre of Paide. ‘Whose Business is Social Responsibility?’ was moderated by Mart Soonik, with contributions from Kristiina Esop, Annika Migur, civil servant Liisa Oviir and outgoing British Ambassador to Estonia Chris Holtby. Ambassador Holtby has only nine days to go on his posting in Estonia, but can be said to have made huge steps to influence positively the international perception of Estonia.

Asked about the challenges of giving his staff a corporate social responsibility requirement, Holtby said how he had made it a requirement in staff’s annual review that they complete a CSR task. He experienced some push-back to that requirement at first, but according to the Ambassador, the response after staff completed tasks in the local community was overwhelmingly positive. He also talked about how there are plans in the Estonian government to axe the need for supermarkets to pay tax if they give away more than 3% of their stock for free. Rimi was alone among Estonian supermarkets in having given away stock to soup kitchens in spite of having to pay tax on it.

There was also discussion of the gender pay gap. Currently recruiters are not required by Estonian law to list a salary in job advertisements, meaning interviewees usually need to name their salary. There is some evidence that women generally ask for a lower salary than men would in the same situation. In response to an audience suggestion that the requirement by law for a listing of salary in the advert might close the largest gender pay-gap in the European Union, Oviir said, “yes, we did suggest it, but we have a coalition government, so it’s not currently an option. We hope it will be back on the table after the next election.”

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World Peace Just Happened https://2017.arvamusfestival.ee/en/world-peace-just-happened/ https://2017.arvamusfestival.ee/en/world-peace-just-happened/#respond Sat, 13 Aug 2016 11:10:18 +0000 http://2017.arvamusfestival.ee/en/?p=11851 → ]]>

‘What Can We Do For World Peace?’ is possibly the biggest question on the planet, and at the Opinion Festival on Saturday morning, an intrepid group of academics, educators and activists attempted to answer it.

Although it is fair to say that, over the course of 90 minutes, it was not possible to reach a consensus on how to achieve world peace, or even if it is possible, the most interesting part of the discussion was, as is often the case in such theoretical talks, the individual stories of the speakers.

Piet Boerefijn is the Director of the Estonian Food Bank, which has set up food relief in towns and cities all over Estonia to help the people who cannot afford to feed their families. However, at first, this was not a personal mission of his – the Dutchman came to Estonia shortly after the restoration of independence for a totally different reason.

“When I first came, it wasn’t with the idea of helping Estonia. Actually, I read ‘The Czar’s Madman’ by Jaan Kross and wanted to see the house from that book, a manor house close to Põltsamaa. The manor had a big wall around it, and a small fence. I looked through the fence, and it came out that the house had been turned into a home for mentally-disturbed people. It was like a zoo, it was awful inside, it was 1992 or 1993.”

“I thought it would be revolutionary if only someone could bring some new beds, or install some extra toilets. We took some mattresses from hospitals in the Netherlands for free.” Estonia was a far different country to the one that foreigners in 2016 experience, Boerefijn explained. “At that time Estonia was extremely poor. It was still the Soviet Army there. Often they would get their salary in roubles, not the Estonian kroon, and that meant they couldn’t buy anything. So what did they do? They sold their weapons, so you could buy your weapons from the Russian Army in Estonia.”The recollections of Ekke Nõmm, Director of the Estonian School of Diplomacy, were, as you might expect, more moderated and mild. Nõmm, a fuzzy-haired man who seems permanently calm, talked about his experiences running a private university that receives international funding to train global diplomats.

Nõmm believes that accord can be found between people of most nationalities if they can learn to relate to each other on a personal level. “After a year [studying together], they’re friends, they understand each other better.” There are still tensions, mostly due to pressure from the students’ parent countries. “There was one group, with whom we went for a discussion in Kadriorg with the President. We had a photo taken with the him, and I arranged it that on one side were two Armenian women, on the other two Azeri men.”

“We had the photos taken, it all went well, we went back to school, and then after an hour, the Azeris called me and said, ‘please don’t use this photo in a professional capacity,’ because it might mean trouble for them. They were worried about going back to Baku, and their superiors perhaps saying, ‘you’re becoming too friendsly with the Armenians.’ So this shows the divisions that are there, but by bringing these people together I think we can somehow do something for world peace.”

In attempting to explain the still-existent divisions between first-language Estonian- and Russian-speakers in Estonia, Nõmm had a theory. “A lot of this had to do with the fact that the Russians in Estonia had to do a tremendous mental switch, from being masters of the universe, rulers of the empire, and from there, they had to change to a minority in a small country. I agree that Estonians are typically quiet and modest, and Russians are more outgoing. I suppose a Russian by nature would expect a friend to be outgoing, but Estonians aren’t like that in their nature. So when Estonians say, ‘ok, learn the language, do your job, and we’ll all be happy,’ because embracing and hugging is not in their nature, Russians might interpret it as unwelcoming. Also, the fact that the Russians live in their own media-sphere: I would consider that to be the greatest problem.”

Liga Rudzite is a Marie Curie Fellow at the Tallinn School of Economics and Business Administration, Tallinn University of Technology, and media falls into her research. She said it is not only Russian media that is biased. “I think we are biased – even our free media. We speak about Latvia always on Latvian terms, and if I were a Russian of course I wouldn’t use Latvian media because I would use what spoke more personally to me.”

Discussions continued, with world peace still some way off at the time of writing.

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Aarhus is a Very Fine House: Why be Nordic? https://2017.arvamusfestival.ee/en/why-be-nordic/ https://2017.arvamusfestival.ee/en/why-be-nordic/#respond Fri, 12 Aug 2016 16:35:31 +0000 http://2017.arvamusfestival.ee/en/?p=11722 → ]]>

Why do so many countries want to be like Nordic countries? Are they really as “happy” as they seem? Can Estonia ever be a Nordic country? These were some of the questions considered by the panel at the Opinion Festival’s talk, ‘How Strong Are the Nordic Countries? Strong Enough to Be Happy?!’ (punctuation as written in the brochure) which took place on Friday afternoon and was organised in association with the Norden Nordic Council of Ministers.

Helen Russell is a freelance journalist whose book, Living Danishly, describes the many social and cultural adaptations that have to be made by a British immigrant to the place ranked by the United Nations as the happiest in the world. Moderator Villu Arak asked why there was such an appetite in Denmark for dark, noirish crime fiction. Russell replied that it was possibly because life was comfortable enough to want to read or see a struggle. “There’s definitely something to be said for taking things for granted.” She then turned to the topic of what makes Denmark special to international workers.

“I speak to a lot of businesses who are trying to attract more international talent. The kind of international talent that would be drawn to Scandinavia are the more liberal people on the left, who don’t mind paying such high taxes. What’s special about Scandinavia is this welfare state, is this equality. It’s about recognising that, and preserving it a bit more, and not taking it for granted, whilst also trying to celebrate diversity. In a typically-homogeneous country such as Denmark, and also Norway and Sweden, it’s about trying to welcome in new people, and realising that could be a good thing.”

Joar Vitterso is a Psychology professor from the University of Tromso in Norway. He cautioned against expecting all nations to join a neoliberal consensus based on the European austerity-driven model. What he said could be considered a message to Estonia, seen by some as a kind of test-bed for Friedman School economics. “I’m very sceptical when people say the development forces us to replace something that is working well with something that is working not so well. Why is that? Why should we accept that development means pensions go down, that unhealthy [unwell] people don’t get the treatment they used to get?”

“The next generation is the first for hundreds of years that has fewer prospects than their parents had. Why must we accept that this has to happen because of development? For me, development is something that gets better, and I can’t accept these people who say ‘this can’t go on because so and so.'”

Third panellist Bengt Lindroth, a Swedish author and musician, was concerned that Sweden look now at the kind of society it wants in the future. This is a country whose most famous modern citizen is footballer Zlatan Ibrahimovic, who came to the country with his Bosnian/Croatian family as a youngster, and it could be argued ‘Ibra’ has changed forever the perception of a Swede. “Sweden is, I think, the only country with a paragraph in its constitution saying the country should aim to become a multicultural society. We need to think what that means, today, in practice, and what policies should be enacted. That is a very important question for Sweden to handle today.”

Vitterso voiced his hopes for the future of the Nordic nations and their neighbours. “I like utopias, because they’re irresponsible, and just throw out ideas and say, ‘hey, isn’t this a good way of living?’ I hope in ten years we will talk more about things that matter, like good lives and good societies. I hope we will have developed a better way of talking about what we want, and not just measuring it in terms of economies, but what we really want our kids to experience in this society. I hope that governments will take the pursuit of a good life seriously enough to discuss it every day.”

Russell said she was happy to see sustainability taught in Danish schools. “Aarhus is the European Capital of Culture next year, and they’re running a campaign about sustainability in childcare and schools and what a difference that could make. However, she noticed that although Denmark is commonly felt to be such a contented nation, there were many users of antidepressants – Denmark is felt by some measures to be among the highest users of ‘happy pills’ in the world.

“I thought, ‘how can you be the happiest nation, with such high antidepressant use?’ I have spoken to many Danes about this, and I think because they expect Arbejdsglæde, which means happiness at work; if they’re not getting it, they do something about it. There’s a lot of stress leave, and doctors are very receptive, if someone says they’re not feeling great, antidepressants are handed out fairly liberally, from my experience in my research. In the UK and US there’s a culture of soldiering on, for fear that any admission of weakness will impact negatively on your career.”

Although there seems a darkness below the Danish facade of complete contentment, it could be said that the high rates of cancer in the country were, in some way, due to happiness, according to Russell. “Danes are libertarians, they love to eat pork, eat ice cream and smoke – sometimes all at the same time. All around me I see people having a hoot – perhaps not looking so good, but knowing the system is there to help them.”

The last word went to Estonia’s Swedish Ambassador, Anders Ljunggren, who was in the audience. He had an opinion on one of the most popular questions of the day, why some countries are considered ‘Nordic’ and others  are not. His words may not go down well with Estonians. “Being here in Estonia, I should say that Finland was successful, they made very big sacrifices, they kept their freedom during the Second World War, they had the ability to choose to be a Nordic country, and they were welcomed.”

“That’s also the situation today. You have to wish to be a Nordic country, you have to fulfil some criteria, with geography and so on, and you have to be welcomed. The political construction [of Norden] is not forever – it depends on the will of the people in Norden and the neighbouring countries.” It could be said that Estonia has already made more than enough sacrifices. Maybe now is the time for some international recognition of them.

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Here’s How to Give Everyone a Say in Estonia https://2017.arvamusfestival.ee/en/heres-give-everyone-say-estonia/ https://2017.arvamusfestival.ee/en/heres-give-everyone-say-estonia/#respond Fri, 12 Aug 2016 12:13:32 +0000 http://2017.arvamusfestival.ee/en/?p=11650 → ]]>

The official Opinion Festival brochure says that when we think of the Netherlands we think of tulips and windmills, but for others, the Low Country means philosophical footballers, excellent flood defences and a – cough – liberal attitude towards what someone may or may not be smoking. But there is a tradition of this small nation, which was once a merchant shipping hub for the world, exporting new solutions to civic and political problems, and it was one way of doing so, the polder model, which was discussed on Friday afternoon in the talk “How to Make Consensus-Based Decisions: Dutch Polder Brunch”.

According to Wikipedia, “the polder model is consensus decision-making, based on the acclaimed Dutch version of consensus-based economic and social policy making in the 1980s and 1990s.” Wim Kok, who was Dutch Prime Minister during the economic boom-time of 1994 to 2002, supported the polder model, or his version of it, as a way of ensuring that all voices be heard in a process of decision-making.

Things have changed, some would say for the worse, since Kok’s time at the head of his government. The far right is building its share of the vote in the Netherlands, Estonia and many other parts of Europe, and the idea that consensus can be found on any issue just by talking it over now seems less of a certainty than it once was.

Peter Kentie, a Dutchman from Rotterdam living at the moment in Tallinn, talked about the rebranding of Estonia, with Visit Estonia now using slogans like “ESTonishing”, alongside a new logo. “It’s not about the logo, it’s about passions. You can’t have it that someone from the ministry comes to someone and gives someone the task to do the design, the ministry should team up with the stakeholders in Estonia, and together create the brief and together be responsible for the result.”

Sometimes, Kentie argued, it matters how people collaborate, not just who collaborates. “If the person giving the brief is sitting next to you, rather than just being the one who gives the money, that makes the difference. It’s better to have that discussion in the room, than in a newspaper.”

When asked by moderator Annika Uudelepp how he would attract Asian, or international, talent in greater numbers to Estonia, Kentie said that perhaps the problem should be viewed differently. “I think maybe, as a first priority, talent should not be coming, maybe the priority should be exporting to the rest of the world.”

“There are qualities here that aren’t yet fully-known to other countries. You really have to communicate those qualities to the rest of the world. If you do that, then maybe people [in other countries] will think ‘I can contribute something there in the future.’ The ‘Skype Mafia’ shows that you have all these young people who use the digital world in a disruptive way, and that’s the important thing, to disrupt. If others go left, you should go right, and if you get that mentality right, people will come to you. You have to first tell the world you’re really open to that, and communicate to the rest of the world that you’re there.”

One example of increased civic activism in Estonia has been evident over the proposed development of Kalarand in Tallinn. Local groups ensured that they had a say in the planning of a new development on the promenade, and ensured the current beach would remain in place, but only after the developers, with the apparent backing of local government for their building plans, tried to sue a local activist to bring in a gagging order.

“In the Netherlands,” said panellist and Dutch Ambassador to Estonia Jos Schellaars, “we also have property developers who are very keen on acquiring areas on which they can build. But then there is a process of permission. Even after the permission is given, I think in the Netherlands protesters have a louder voice. The discussion process, I think, is much longer. Voices are louder and better-heard.”

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Is Debate A Luxury That We Can’t Afford? https://2017.arvamusfestival.ee/en/debate-luxury-cant-afford/ https://2017.arvamusfestival.ee/en/debate-luxury-cant-afford/#respond Fri, 12 Aug 2016 07:58:51 +0000 http://2017.arvamusfestival.ee/en/?p=11628 → ]]>

The Opinion Festival has, as one of its aims, to create an atmosphere that is good for open discussion, but how much do we actually want, or need this? Is this kind of debate a peacetime luxury, in a time when it often feels like war, or at least some bigger conflict, is pending?

During the aftermath of the recent referendum that saw Britain vote to leave the European Union, there was a lot of discussion about the different choices faced by the UK and the rest of Europe in the future. The vote, which took most of the political elite by surprise and was greeted with a sense of joy by some and impending doom by others, threw individuals and political parties into a period of extended soul-searching, from which they have not yet emerged.

What was particularly interesting was what it meant for the future of debate. We take it for granted today that we will be given time and space to discuss openly solutions to problems. However there is a growing feeling that the way in which we conduct debate is changing. The Donald Trump campaign in the United States, the refugee crisis in Europe, and discussions on how many displaced people Estonia will take, have all been conducted in an increasingly bellicose manner. The manner of debate seems to be similar to that shown in this video (apologies for linking to an RT post, but it shows what I mean).

This all begs the question, although many of us like to philosophise about the best way of organising ourselves, does this mean that modern culture and government can do so? We have seen, with the acceptance of political “spin” as a necessary tool for most governments, distrust in elites rise. This appears to be at least part of the reason for the rise of Trump, and for Brexit. It’s created a situation where it doesn’t take many points in a conversation on something like Twitter, for example, for one side or both sides to start exhibiting anger.

Essentially, a Twitter conversation in 2016 goes like this:

  • Person One: I’m being deliberately provocative, but I’m obviously right, because the person in [this link] agrees with me.
  • Person Two: Really? I don’t agree with all of what you just said. Here is another [link] that I feel proves my argument is right.
  • Person One: What gives you the right to argue against my point? Check your privilege. You must be a misogynist, or a conservative, or most likely both.
  • Person Two: I have every right to exist in this world, but you are the whole reason why the global system is going down the toilet. And you’re ugly.
At some point, perhaps during the Brexit referendum, or the refugee crisis, or Russia’s invasion of Ukraine, or the discussion over the need for a Ghostbusters reboot, it seems we forgot how to find consensus. A talking head recently floated the idea that David Bowie held the secret of the universe, and that this explained why many things had seemingly gone downhill since his death. And yet surely can’t have only been the presence in the world of David Bowie that was holding opinion culture together – it must be within us to rediscover the art of compromise.

The Opinion Festival can at times seem endearingly old-school, like a non-threatening meeting of minds that could not happen outside the comforting town boundaries of Paide. Can we learn a better, more civilised, way of arguing while we’re here? Is it possible, in a time when opinions are often weaponised and used as propaganda, for neutrality to exist, or at least for people to come to a discussion and then make up their minds, rather than beforehand? Is the Opinion Festival serving a useful purpose by opening up so many different views, and bringing together many people who would, in an increasingly-polarised atmosphere, often choose not to meet? Or is debate a peacetime luxury, which we cannot countenance now we need to “lock and load,” as the man says in the linked video rant?

It won’t surprise you that, on the festival blog, this post argues that, no, debate is not a luxury. But we all need to get better at doing it, and soon. Otherwise we run the risk of becoming the people we always hated. Whatever we believe, let’s share the love, because that’s the true spirit of the Opinion Festival, and that’s what can get us through this absolute dog’s dinner of a year.

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Children and the Internet: a Positive Combination? https://2017.arvamusfestival.ee/en/children-internet-positive-combination/ https://2017.arvamusfestival.ee/en/children-internet-positive-combination/#respond Mon, 25 Jul 2016 19:14:04 +0000 http://2017.arvamusfestival.ee/en/?p=11043 → ]]> The new generation of young people has access to many things that their parents, and certainly their grandparents, did not at the same stage in life. Walk into the apartment of a reasonably-affluent young family in Estonia today and you are less likely to see a family sitting down in front of the same television programme than you are to see each family member engaged in activities on a different electronic device.
 

Is this, in itself, a bad thing, or just the natural evolution of things? Telia, in association with the Opinion Festival, will discuss this in Paide, on August 13th at 5pm.

In the media and in everyday conversation, there is frequent discussion of the place of technology in everyday life. Many of the opinions are built upon personal circumstance, or unscientific speculation. That’s why Telia is forming a discussion forum at the Opinion festival to ask how the internet can play a positive role in the development of children.

The organisers are looking for balanced, rational, scientific contributions to help answer the questions that parents have to answer constantly. How can anyone define a reasonable amount of time for a smartphone or tablet to be used? When does pleasure at using a social network become an addiction? Is the answer to ban, or moderate, access to certain information channels?

We have seen recently in debates as diverse as those over the Estonian Cohabitation Law, the US Presidential Election, and the release of the new Ghostbusters film, that while the internet is a tremendous democratising tool, it has also allowed sexism, racism and homophobia to be viewed by increasing numbers of people, sometimes by children. There have also been numerous instances of children being trolled using social media comments, something which is viewed as very hard, if not impossible, to regulate. How can parents ensure that children are given access to the information they need, but are protected from some of the worst excesses of the online world?

That’s not all that will be discussed, though. There will also be a look at the kind of role schools in Estonia and more widely can play in helping parents and children to make good use of the unlimited information at their fingertips. With the Estonian government taking a proud lead on technological development in schools, the increased use of computers to solve childhood problems must go hand-in-hand with an understanding of its impact on society.

The discussion will be moderated by Katrin Tiidenberg, a sociologist specialising in online matters from Tallinn University’s Institute of Social Sciences. Her main research topic is social media user practices, especially concerning visual expression.

She will be joined by Tõnu Piibur, Headteacher of Tallinn’s Pelgulinn High School. He says that he uses electronic devices daily, and he encourages, but does not force, students to find new ways to use technology in the classroom.

Speaker Kristi Vinter, the Director of the Institute of Educational Sciences at Tallinn University, says, “I have small children, and a research interest in the internet. In 2013 I defended my doctoral thesis at Tallinn University, the subject of which was the use of digital resources with young children in the kindergarten and the home. Tallinn University will teach future teachers to recognise and analyse the global impact of digital media and the possibilities it brings for developing and teaching children. I have carried training on this topic with teachers and parents.”

Kaisa Kask, who is 15 years old and attends the Humanitarian High School in Pärnu, says “I sing, I play the flute and I’m interested in acting and the theatre in general. As with any of our younger generation, I am constantly to be found with my phone in my hand, using the internet. Most of my communication, homework, and news consumption is done on that.” Kaisa will be on the panel alongside Katrin Isotamm, a mother who has many views on children and the internet.
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Grand Designs: Arvamus Festival Best Stand https://2017.arvamusfestival.ee/en/grand-designs-arvamus-festival-best-stand/ https://2017.arvamusfestival.ee/en/grand-designs-arvamus-festival-best-stand/#respond Sat, 15 Aug 2015 16:39:38 +0000 http://2017.arvamusfestival.ee/?p=8537 → ]]> DSCF1693Some of the stands at the Arvamus festival weren’t just about the speakers taking part in the debate, but were also about great design creating a more effective space in which to have discussions. The best design of any stand at the festival, a space that treated acoustics and sight-lines as far more than afterthoughts, was created by Architecture and Urban Planning students of Eesti Kunstiakadeemia (the Estonian Academy of Arts).

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The honeycomb ceiling kept the audience warm and sheltered, and although each piece was made from cardboard boxes, they were reinforced with waterproof, insulating material which is often used for packing computers.

The result was a spot that felt uniquely-attuned to great debate, and was a credit to the ingenious third-year EKA students, who have set down a marker for their successors who will design the stand for next year’s Arvamus Festival.

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The Arvamus Festival and Why We’re Getting Smarter https://2017.arvamusfestival.ee/en/the-arvamus-festival-and-why-were-getting-smarter/ https://2017.arvamusfestival.ee/en/the-arvamus-festival-and-why-were-getting-smarter/#respond Sat, 15 Aug 2015 16:19:02 +0000 http://2017.arvamusfestival.ee/?p=8522 → ]]> When out last night in Paide, I noticed an unusual thing. Young people, battling in the street. It was a turf war, with the fight being for pride and territory. But it’s not what you think. The battle was on ten different chess and draughts boards. This made me think of my own childhood, and speculate why things have changed so much. Is the Arvamus Festival an example of how, generation-by-generation, we are getting smarter?

When I was at school in the 1990s, many teenagers would talk about their summer trips to Ibiza or Ayia Napa, which were a fortnight’s blur of clubbing, alcohol abuse, and possibly a lot more. This was the era of the superclub, Cream and the Ministry of Sound hoovering up customers every Saturday in Liverpool and London respectively, then going on tour to the Balearic Islands to play to an audience dominated by British tourists.

I didn’t go to Ibiza with my school friends. Of course, some people were comfortable at home, like I was. But the aim of these trips was to get very, very drunk – and this wasn’t something I was interested in. I was a country boy who enjoyed reading and music – and not played at 100 decibels. I sometimes asked my parents why I wasn’t the “kind of person” who could go, but they just looked at me with that look that says, “one day, you’ll understand”.

Now, I do. It seems to me that young Estonians are growing up with so many more positive influences than my school class had. Last night, in the Must Puudel’s party for Arvamus Festival-goers, I saw happy people singing along to obscure pop tunes released in 1984 or ’85, when I was 3 or 4 years old, and they were a long way from being born. This was the kind of music I loved playing – in private, of course (I even got picked-on for buying Duran Duran, Spandau Ballet or Ultravox from the record store when I was a teenager), but now it wasn’t a source of shame for anyone. Indeed, it seemed like a badge of honour to know as much of the music as possible.

The knowledge extends to the debates, too. Young people are being thanked for their contribution, being actively praised for their knowledge of complex topics – and more and more people know more and more things, that’s something that’s obvious from asking a few questions, and hearing the different opinions expressed at the Arvamus Festival.

I never used to mind being called a “nerd” or a “geek”. Those are terms that just mean someone knows a lot about something. But what’s changed beyond recognition is the way the nerd and the geek are now seen as the intelligent, well-rounded people they always were.

So how about it, are we getting smarter by generation? That, like everything else here, is a matter of debate. All I know is, I wish I’d been given this festival when I was 20 or 21. I would have loved every minute, just like I do now.

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Lunch @ Arvamus: Hamburger https://2017.arvamusfestival.ee/en/lunch-arvamus-hamburger/ https://2017.arvamusfestival.ee/en/lunch-arvamus-hamburger/#respond Sat, 15 Aug 2015 15:14:39 +0000 http://2017.arvamusfestival.ee/?p=8504 → ]]> The Arvamus Festival food options continue to excite and enthrall. Having been pleasantly-surprised by the flavoursome beetroot-dominated veggie burger on Friday, I decided to go two metres to the right, and try the meat option, the hamburger, to see how it compared.

For €8, it’s a premium price, but the burger, which came to me after only five minutes, was tender, broad and substantial. Served on a plate (rather than horizontally in paper as is usually favoured by Estonian convenience stalls), and with a wooden skewer through the middle in order to hold everything together, it feels like quality when you take it.

The mayonnaise and red onion chutney go well together, and the brown granary flat bun is a nice touch, though I always prefer it when burger places slightly toast them. However, the big X-factor of this burger was the makers’ use of smoked cheese in place of the usual processed strip – a variation on the theme that made the burger taste classy. Sticking with the upmarket theme, this is definitely a meal for picking apart, not picking up, hence why knives and forks are supplied.

If, like me, you craved a meat fix after a long day on the Festival tracks, the hamburger is something you will not be disappointed with. Head down to the food court and see what we mean.

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Won’t the Young Estonians Please Stand Up? https://2017.arvamusfestival.ee/en/wont-the-young-estonians-please-stand-up/ https://2017.arvamusfestival.ee/en/wont-the-young-estonians-please-stand-up/#respond Sat, 15 Aug 2015 12:37:43 +0000 http://2017.arvamusfestival.ee/?p=8453 → ]]> Mehirt Emmus (10)

The Arvamus Festival isn’t only about the topics that make us ponder deeply about our existence. It’s also about the things that make us laugh, that make us joyful. On the Ekspress Meedia stage, a group of Estonian performers got together to ask, “Is stand-up the new Estonian theatre?”

There were differing views on the matter, and of course there was mention of the increasing popularity of stand-up comedy, that form of performance where, usually, one person stands on a stage and speaks directly to the audience in an attempt to make them laugh.

After the discussion, we met up with Estonian producer and performer Karl Kermes, who had been one of the panel, to get his view on the topic. He was frank about where Estonian comedy stood at the moment. “I think we don’t have a stand-up culture. It’s coming, but it’s not there yet,” Kermes explained, citing the fact that audience trends are different in Estonia to those traditional hot-spots of stand-up, the UK and USA.

“If we speak about stand-up from different languages [and cultures], I personally think, for an Estonian mainstream theatre audience, that kind of raw stand-up in pubs and clubs is not something they’re taking. It’s a great theatre-loving country. I’m working to build up stand-up shows that last one to two hours, for example like what Eddie Izzard is doing.”

Estonian comedy has always existed, but in different forms, the producer explained. “We have this problem that most of the comedians we put on the stage have graduated from Estonian drama school, then have been working in different theatres, in different roles. Now you’re asking them to come on stage and speak as themselves, with their own ideas, and I’ve found out it’s very difficult to them.” There has, he feels, been a general trend towards Estonian performers preferring to hide behind a role. “Somehow [the show] turns into a play, not a stand-up, in the end. That’s why I’m saying that at the moment, we don’t have Estonian stand-up.”

We asked if the reason for that was because of the way young people were brought up in the school system in Estonia, which has not always encouraged play or creativity in the way other systems have. “It can be;” Kermes said, “if you look at our history, where we are coming from, the time has been very short. I think also the new, young actors that are coming from drama school are thinking differently to the older, well-known comedians. So I think things will change, but it takes time.”

On another topic, Kermes was quick to name his favourite comedian. “Eddie Izzard. The main reason, or let’s say subconscious reason, is he was the first show I looked at on YouTube, and he’s great – he’s doing it so fluently, and I just love him.”

The enormous popularity of Irish comedian Dylan Moran, who sold out his November stand-up show in Tallinn within hours of tickets being released online, is heartening for those who loved him as an actor in the sitcoms ‘Black Books’ and ‘How Do You Want Me?’. Moran appears to share a special bond with Estonian audiences, and there is evidence the feeling is reciprocal. “The first time Dylan came to Estonia, it was surprising how quickly he sold out [of tickets], and it was so good, and I think it’s great to see, but I can’t put my finger on the reasons,” Kermes concluded.

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Five Reasons Why the Arvamus Festival is Awesome https://2017.arvamusfestival.ee/en/five-reasons-why-the-arvamus-festival-is-awesome/ https://2017.arvamusfestival.ee/en/five-reasons-why-the-arvamus-festival-is-awesome/#respond Fri, 14 Aug 2015 16:34:29 +0000 http://2017.arvamusfestival.ee/?p=8354 → ]]> 1. Diversity of Debate

With a speaking area for every taste, the Arvamus Festival has thrown up some interesting debates, on every part of Estonian public (and private) life. The discussion on the need for a Russian-language TV channel in Estonia continues to be heard, and I attended the debate run by Keskerakond (the Centre Party), which held a discussion of its representatives’ views on the matter.

With questions often heated, as they regularly are when it comes to Estonian politics, it was interesting to see the public being given an open forum on which to question elected politicians, and even more interesting to see how they responded. Other political parties have been holding parallel debates, including the Reform Party, the IRL and the Social Democrats, making this a fully-rounded political debate.

2. A Chance for a Charm Offensive

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Estonia’s first dedicated public Russian-language television channel, begins full service in September with 20 hours a week of factual and entertainment programming. Its representatives, such as channel head Darja Saar, were answering questions from all-comers about what it meant for Estonia, and why the station had been set up.

The positive PR campaign for the service, which will produce original programming in Estonia bringing news content, along with items such as a drama series, was led by Saar and Communications Manager Anastasia Dratsova. As the Arvamus Festival is a meeting-point for all those who like to consider issues, regardless of their background or interest, it makes it the perfect place for such a charm offensive.

 

3. Connecting with the Heart

“It’s the heart of Estonia.” I was told this about ten times by people I questioned about what was so special about Paide. The town, which hosts the Arvamus Festival up on Vallimägi, is loved by all visitors, especially on a blazing-hot summer’s day. There seems to be a special atmosphere of togetherness hereDSCF1669, which makes it so much easier to relax, unwind and enjoy calm deliberation of the issues not just of the mind, but also of the heart.

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It’s also a place where the best of Estonian culture comes to play. Tallinn’s best jazz club, Philly Joe’s, which often hosts artists of the calibre of Liisi Koikson, Holger Marjamaa and Laura and Joel Remmel, has brought a selection of great musicians to the festival. They lit up lunchtime with their smooth brand of virtuoso playing.

 

 

4. Connecting with the Stomach

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While listening to the music from Philly Joe’s, I sampled some of the excellent food on offer around the central courtyard of the Arvamus Festival grounds. Tallinn’s Kohvik Inspiratsioon, a vegetarian cafe of some repute, brought its cooks and service staff to Arvamus, and I ordered the veggie burger, purely for reasons of taste-testing, you understand.

The wholemeal bread used to wrap the burger was crusty and sturdy, even with a sizeable cut of cucumber and tomato inside. The burger was of course healthy, especially as it did not contain any dressing – the burger being made from a very tangy beetroot mix that more than provided enough flavour.

Inspiratsioon did indeed provide inspiration to continue my hunting of great events, though it still left an old-fashioned carnivore like me craving a juicy hamburger. It must be said, though, that the veggie burger, made with love, represents great value at €4.

5. Much More than Just Politics

Someone said before the festival, explaining why he would not be attending, “it’s just politics, though, isn’t it?” Er, no. The hundreds of events and talks cover everything from Estonian food, to why Estonia does not yet have an internationally-recognised crime novelist.

The search for the Estonian export star who could be a new Steig Larsson continues, but at the stage sponsored by Rahva Raamat, keen readers were given the chance to recline in the most comfortable bean-bags you can imagine, and listen to talented authors such as Indrek Hargla discuss their work, and the future of Estonian literature.

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Meanwhile, students from Estonian high schools all over the country taking part in the Our New Media Generation project in association with the Ministry of Education and the website etnoweb.ee were given the chance to go out, gain some experience and confidence, and do some reporting from the festival.

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Great Expectations for the Arvamus Festival 2015 https://2017.arvamusfestival.ee/en/great-expectations-for-the-arvamus-festival-2015/ https://2017.arvamusfestival.ee/en/great-expectations-for-the-arvamus-festival-2015/#respond Fri, 14 Aug 2015 10:26:09 +0000 http://2017.arvamusfestival.ee/?p=8258 → ]]> Fotograaf Sven Tupits (Fotogeen.com )

Fotograaf Sven Tupits (Fotogeen.com )

You’ve arrived at the Arvamus Festival, and you’re excited about what you’re about to see, but what should you be looking out for in particular? Allow us to guide you through some of the best talks we’ve found over the next two days.

Let’s begin on Friday at 1pm with what promises to be an amusing talk, if only because it’s with, and about, Estonian stand-up comedy – “What’s the use of start-ups for Estonia?”. The act of standing behind a microphone and trying to make an expectant audience laugh is often considered to be something inherently British or American – but as the contributors to this talk, over in Ettevõtlus Ala, show, Estonian stand-ups are to be taken seriously.
Another group wishing to be taken seriously is Keskerakond, the Centre Party. At their stage, the opposition party is hosting, on Friday at 2pm, a discussion in light of the starting of the new ETV+ channel, which is intended for Russian-speaking Estonians. The talk, “ETV+; or, what does the future hold for Estonian integration politics?” will examine the best approach to take in order to get all of Estonia involved in the political conversation.
For something a little more esoteric, head afterwards to the Mäeala or Hill Area, where you will be able to participate in a discussion about the thoughts that go on in our heads, but rarely get revealed. “Collecting Dreams About Estonia” is your chance to say exactly what you hope, or what you feel, with everyone getting together to create a better understanding and a better world for each other. That’s at 3pm on Friday, and comes highly recommended.
Following that, on Friday at 5pm, there’s a chance to solve one of Estonia’s greatest mysteries: if it to be considered a Nordic nation (and that is itself a matter for stern debate), why is it that Denmark, Norway and Sweden have all produced internationally-successful crime novelists, but not Estonia? Join the debate, “Why are there so few crime writers in Estonia?”, gather the evidence, and follow the clues, and you might be able to use your very specific set of skills to find the answer.
There are plenty of things to enjoy around Paide in the evening, but the next day, make sure you’re up bright and early, because there’s a whole programme of great things to see and do. If you’re not feeling the effects of the previous night’s celebrations, you can test your flexibility with a spot of morning yoga, at 7.30am. Follow that up with the Minutes of Silence, designed to focus the mind and allow for quiet contemplation, at 9am, and you’re ready for the day ahead, with clarity of mind.
Over at the Ekspress Meedia area, Estonia’s most inventive weekly paper hosts a talk at 11am entitled “Is Stand-Up the New Estonian Theatre?”, which is likely to continue the amusing, but involving, discussion of the previous day, and will bring a greater understanding of what brings us joy and laughter.
The same area at 2pm on Saturday brings you a chance to take part in the debate on refugees in Estonia. Should this country be welcoming people in? Are we doing enough to help the displaced? The title of the talk, “Refugees in Estonia?!” should give you an idea, with its punctuation, of the strength of the debate.
A discussion everyone needs to attend, especially if they want to understand the changing values of a modern Estonia, is the one taking place at 5pm on Saturday in VUNK innovatsiooniala, “Millennium Children and Entertainment”. For many people, it is hard to connect with those born after the year 2000, raised on social media, tablet devices, and smartphones, and expecting instant entertainment. This discussion will look at the need to change the kind of television delivered to young people in Estonia.
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